Race-Mixing In The Hollywood
“Hollywood” in the present article is used as an umbrella term for the entire Western movie industry. As with any other industry currently, movies are also strongly involved in embedding multiculturalism, inclusion and diversity as positive value into the minds of hundreds of millions of people.
Although movies are fictional and based on scenarios, they have a major influence into shaping perceptions and stereotypes about people or entire groups of people in real life. Hundreds of millions of people watch dozens and dozens of movies every year as a means of relaxation and detachment from day to day struggles. As a result, when such massive percentages of the population watch this type of content where real people play in roles where they do things most people find normal and “ordinary”, a great share of these people subconsciously will believe that the situations portrayed in movies are just as real as the world outside, and that these situations feel perfectly normal and natural.
As an example, it was the movie industry that depicted the ancient Gods (also called Daemons) in such a negative light that most religious people are terrified to even think about them. Christianity and Islam have done a great share of damage in derailing Humanity from its original millennia old religion but it was the movies that shaped a graphic or visual dimension to this. Think for example of movies like The Exorcist, The Conjuring or any other horror movies where people are “possessed by demons” and christian priests are “saving them”, simply stereotypical to Christianity and many people believe this scenario is real despite the fact that there isn’t even one single documented case with clear evidence or videotapes where a person has genuinely been possessed by a Demon. Although the Western world has been gradually shifting to atheism in the last decades, the subconscious programming and manipulation is still there and without the correct knowledge it is impossible to overcome it.
The situation is similar with race-mixing and multiculturalism. By creating countless movies where mixed-race couples are displayed (and by seeing the same happening in real world), the millions of people that will watch these movies will think that there is nothing wrong with mixed-race couples, that they are perfectly natural and that one is a “racist” for questioning that. Movies represent a stimuli to induce humans these notions and to accept them. By analyzing a decently large list of movies where the protagonists represent mixed-couples [1], we notice the same pattern as in advertising: Black males form relationships or marriages with White females and White males form relationships or marriages with Black females, with the first being the most popular out of all mixed-race scenarios.
The reason is very simple, if the White women will give birth to non-White children, the White race will dissolve and perish.
In the last 2-3 decades Hollywood has been in a race to become more “diverse” and more “inclusive” of other minorities and the biggest results have been been achieved in 2020 and onwards [2]. While this may not sound as a negative thing in itself, the question is, why is there racial diversity in the first place and why does it have to be represented in movies? Why does Bollywood (the movie industry of India and the second largest in the world after Hollywood) or Nollywood (the movie industry in Nigeria and third largest) not promote “cultural diversity” in their movies? Because it is only the White nations the ones that have to be “enriched” and “multicultural”. It is in White nations where foreign people from all over the world are being brought in, “integrated” and then “included” in all aspects of life as if they have always belonged there.
This is to be expected, because those who own the cinematographic industry and basically, all of Hollywood’s movie-making apparatus, are from the same racial group that owns most of mass-media and most of anything else in the Western world. If one mention this openly like Kanye West did, they are immediately labeled as antisemitic (as if it’s objectively derogatory to say that a certain group of people in general own something, but it looks like the Israelites receive a different treatment). A rabbi notes [3]:
“Jews became disproportionately present not just among studio bosses but throughout the whole Hollywood enchilada (or bagel, I guess): agents, music moguls, lawyers, everybody. In Sandler’s words, “Tom Cruise isn’t [Jewish], but I heard his agent is.” Shunned by antisemitism, these formerly immigrant Jews created their own empire.“
Ironically the rabbi above is confirming what many “conspiracy theorists” have been suspecting. It is all indeed true, yet as with anything else, jews did infiltrate the movie industry and created their own empire within. On another note from a media outlet that would call you antisemitic if you believe the above [4]:
“Jewish people do not run Hollywood. You would think the average person could understand that a minority that makes up 2% of the American population couldn’t possibly control one of the world’s largest industries. The famous studios we all enjoy and love are subsets of giant corporations managed by different people.”
What Jerusalem Post doesn’t mention is that all of these giant corporations, irrespective of what area of activity they serve, most of them are centrally owned by more or less the same absurdly wealthy Jewish families (I.e the infamous shareholders who are not as different as jpost is manipulating people about). The White world is again into a position where it faces the consequences of allowing Jewish people to grab the power wherever they can: everything that comes out of their mouths and hands is anti-human and anti-civilization.