Race-Mixing In The Music Industry
Music has existed since the beginnings of humanity. Music is very powerful and can affect a being on multiple levels. Research finds that listening to music does have an impact on the brain by releasing dopamine and also by inducing various states of mind depending on the type of music listened, the context/situation, the messages transmitted etc [1]. Also music is widespread and consumed by the vast majority of the population, for many is a way to release stress, relax, stimulate creativity, in some cases it can help healing people with depression or suicidal tendencies, it can form or break relationships and friendships, bring masses of people together, divide people. The importance and influence of music cannot be empathized enough.
However the truth is that quality of music has greatly decreased overtime, especially within the last decade. Most of the music is no longer about a profound message the singer wants to transmit, or about the “art of singing” in itself, but it became a business mostly focused on generating profits and other benefits. As such the element of art is being killed for the sake of big numbers and easy gains. A major factor at play is also the advancement of automated and digital sound and recording systems, AI and other related software and instruments which made it easier to “create music” without the use of physical instruments or human talent. Music is becoming more and more tasteless and artificial but the reality is that, peoples’ taste in music has also “degenerated” in the last decade. Modern artificial and tasteless music has the enormous success because big numbers of people are listening to it and paying money for it.
The reason for establishing the above is that, as music has an obviously huge influence, it can also cultivate and induce negative and toxic tendencies and behaviors in society. One easily observable example is the “gangsta culture” where “gansta rap” and “gansta hip-hop” are at the core of a part of the society dominated by poverty, gun violence, drug abuse and addiction. This is predominantly popular among Black neighborhoods but run-down neighborhoods of all races are victims to this culture.
Similarly, multiculturalism in music has also been a heated subject in the last years due to the popularization of a lie that United States had a “racist past”, that Whites have been at the core of this (although we all now who really oppressed Black people and ran the slave trade for example [2]), and that it now has to “repay” everything by becoming “multicultural”. There is the delusion that the entire history of music in United States has been dominated by racism and racial discrimination [3], despite Blacks and other minorities having access to creating and distributing music for decades.
Ed Sheeran – Shape of you
Katty Perry – Dark Horse
Kid Ink - Show Me
The above is not meant to say that nowadays music directly promotes race-mixing but the overall message is:
racial diversity, integration and assimilation. Subliminally this involves depiction and normalization of race-mixing, despite it not being as straight in the face as with movies or advertising. It would be considered “racist” to be otherwise, especially considering that it’s also the people with augmented perches the ones who mostly own the music industry among anything else, as documented by Jonathan Karp in his work: The Roots of Jewish Concentration in the American Popular Music Business, 1890–1945 [4].
It would be irrational to think that Jews don’t own most of the production houses today given the blatant similarity between what is depicted in music and what is depicted in other fields where they have absolute ownership (movies, major corporations & advertising and so forth). Rapper Wiley has felt this on his own skin after publicly stating the obvious truth aforementioned [5]. What is quite revelatory from the above case is that none of the institutions that stripped Wiley of his awards or social media accounts did so because he said something untrue about the Jews and none of them ever challenged his claims, but simply did so only because he dared to put the Jews in a negative light.
Yet there are “gansta bands” such as NWA who openly promote anti-social behavior and hooliganism towards state authorities such as the police which for centuries has existed to protect public order as if police is something universally “racist” and evil [6], and NWA and others of the kind got away with this and socially disturbing songs such as “Straight Outta Compton” have sold in millions and helped consolidating the gang culture that made so many cities around the West so dangerous. The reason these groups target police is because police has been at the center of combating violence and criminal activities that are predominantly carried over by Black or Latino people, therefore deeming the police racist for “preferentially” arresting non-White people, ignoring the reality that most violent criminal activities are disproportionately higher among Black and Latino groups compared to Whites as per Crime Research [7]. Also consider that in United States there are around 4 times more White people than Black and Latino people combined, yet the latter are responsible for the majority of criminal activities in US.
Gucci Mane - Im In Love With A White Girl
Shy Glizzy - White Girl
It is worth mentioning here that due to widespread promotion of race-mixing between White females and Black males on television and all of public life as demonstrated in other previous articles, this has become a theme in Black “gangsta communities” who consider White women as sexual objects but also symbols of status and achievement, and depict them in corresponding scenarios in many of their songs.
In conclusion music represents another piece in the entire puzzle and plays a major role into the bigger picture of the racial warfare that Jews have waged against all of Humanity.